sexta-feira, 31 de dezembro de 2010

Henry Jekyll's full statement of the case


(...)
In this case, I was driven to reflect deeply and inveterately on that hard law of life, which lies at the root of religion and is one of the most plentiful springs of distress. Though so profound a double-dealer, I was in no sense a hypocrite; both sides of me were in dead earnest; I was no more myself when I laid aside restraint and plunged in shame, than when I laboured, in the eye of day, at the furtherance of knowledge or the relief of sorrow and suffering. And it chanced that the direction of my scientific studies, which led wholly towards the mystic and the transcendental, reacted and shed a strong light on this consciousness of the perennial war among my members. With every day, and from both sides of my intelligence, the moral and the intellectual, I thus drew steadily nearer to that truth, by whose partial discovery I have been doomed to such a dreadful shipwreck: that man is not truly one, but truly two. I say two, because the state of my own knowledge does not pass beyond that point. Others will follow, others will outstrip me on the same lines; and I hazard the guess that man will be ultimately known for a mere polity of multifarious, incongruous and independent denizens. I, for my part, from the nature of my life, advanced infallibly in one direction and in one direction only. It was on the moral side, and in my own person, that I learned to recognise the thorough and primitive duality of man; I saw that, of the two natures that contended in the field of my consciousness, even if I could rightly be said to be either, it was only because I was radically both; and from an early date, even before the course of my scientific discoveries had begun to suggest the most naked possibility of such a miracle, I had learned to dwell with pleasure, as a beloved daydream, on the thought of the separation of these elements. If each, I told myself, could be housed in separate identities, life would be relieved of all that was unbearable; the unjust might go his way, delivered from the aspirations and remorse of his more upright twin; and the just could walk steadfastly and securely on his upward path, doing the good things in which he found his pleasure, and no longer exposed to disgrace and penitence by the hands of this extraneous evil. It was the curse of mankind that these incongruous faggots were thus bound together—that in the agonised womb of consciousness, these polar twins should be continuously struggling. How, then were they dissociated?

I was so far in my reflections when, as I have said, a side light began to shine upon the subject from the laboratory table. I began to perceive more deeply than it has ever yet been stated, the trembling immateriality, the mistlike transience, of this seemingly so solid body in which we walk attired. Certain agents I found to have the power to shake and pluck back that fleshly vestment, even as a wind might toss the curtains of a pavilion. For two good reasons, I will not enter deeply into this scientific branch of my confession. First, because I have been made to learn that the doom and burthen of our life is bound for ever on man's shoulders, and when the attempt is made to cast it off, it but returns upon us with more unfamiliar and more awful pressure. Second, because, as my narrative will make, alas! too evident, my discoveries were incomplete. Enough then, that I not only recognised my natural body from the mere aura and effulgence of certain of the powers that made up my spirit, but managed to compound a drug by which these powers should be dethroned from their supremacy, and a second form and countenance substituted, none the less natural to me because they were the expression, and bore the stamp of lower elements in my soul.

I hesitated long before I put this theory to the test of practice. I knew well that I risked death; for any drug that so potently controlled and shook the very fortress of identity, might, by the least scruple of an overdose or at the least inopportunity in the moment of exhibition, utterly blot out that immaterial tabernacle which I looked to it to change. But the temptation of a discovery so singular and profound at last overcame the suggestions of alarm. I had long since prepared my tincture; I purchased at once, from a firm of wholesale chemists, a large quantity of a particular salt which I knew, from my experiments, to be the last ingredient required; and late one accursed night, I compounded the elements, watched them boil and smoke together in the glass, and when the ebullition had subsided, with a strong glow of courage, drank off the potion.

The most racking pangs succeeded: a grinding in the bones, deadly nausea, and a horror of the spirit that cannot be exceeded at the hour of birth or death. Then these agonies began swiftly to subside, and I came to myself as if out of a great sickness. There was something strange in my sensations, something indescribably new and, from its very novelty, incredibly sweet. I felt younger, lighter, happier in body; within I was conscious of a heady recklessness, a current of disordered sensual images running like a millrace in my fancy, a solution of the bonds of obligation, an unknown but not an innocent freedom of the soul. I knew myself, at the first breath of this new life, to be more wicked, tenfold more wicked, sold a slave to my original evil; and the thought, in that moment, braced and delighted me like wine. I stretched out my hands, exulting in the freshness of these sensations; and in the act, I was suddenly aware that I had lost in stature.

There was no mirror, at that date, in my room; that which stands beside me as I write, was brought there later on and for the very purpose of these transformations. The night however, was far gone into the morning—the morning, black as it was, was nearly ripe for the conception of the day—the inmates of my house were locked in the most rigorous hours of slumber; and I determined, flushed as I was with hope and triumph, to venture in my new shape as far as to my bedroom. I crossed the yard, wherein the constellations looked down upon me, I could have thought, with wonder, the first creature of that sort that their unsleeping vigilance had yet disclosed to them; I stole through the corridors, a stranger in my own house; and coming to my room, I saw for the first time the appearance of Edward Hyde.

I must here speak by theory alone, saying not that which I know, but that which I suppose to be most probable. The evil side of my nature, to which I had now transferred the stamping efficacy, was less robust and less developed than the good which I had just deposed. Again, in the course of my life, which had been, after all, nine tenths a life of effort, virtue and control, it had been much less exercised and much less exhausted. And hence, as I think, it came about that Edward Hyde was so much smaller, slighter and younger than Henry Jekyll. Even as good shone upon the countenance of the one, evil was written broadly and plainly on the face of the other. Evil besides (which I must still believe to be the lethal side of man) had left on that body an imprint of deformity and decay. And yet when I looked upon that ugly idol in the glass, I was conscious of no repugnance, rather of a leap of welcome. This, too, was myself. It seemed natural and human. In my eyes it bore a livelier image of the spirit, it seemed more express and single, than the imperfect and divided countenance I had been hitherto accustomed to call mine. And in so far I was doubtless right. I have observed that when I wore the semblance of Edward Hyde, none could come near to me at first without a visible misgiving of the flesh. This, as I take it, was because all human beings, as we meet them, are commingled out of good and evil: and Edward Hyde, alone in the ranks of mankind, was pure evil.
(...)

The Strange Case of Dr Jekyll and Mr Hyde de Robert Louis Stevenson

London Calling - The Clash

quinta-feira, 30 de dezembro de 2010

quarta-feira, 29 de dezembro de 2010

Wim Wenders - Paris, Texas (1984)



Walt: I thought you were afraid of heights.
Travis: I'm not afraid of heights. I'm afraid of fallin'.

quarta-feira, 22 de dezembro de 2010

Paul Thomas Anderson - Magnolia (1999)


Narrator: There are stories of coincidence and chance, of intersections and strange things told, and which is which and who only knows? And we generally say, "Well, if that was in a movie, I wouldn't believe it." Someone's so-and-so met someone else's so-and-so and so on. And it is in the humble opinion of this narrator that strange things happen all the time. And so it goes, and so it goes. And the book says, "We may be through with the past, but the past ain't through with us."

terça-feira, 21 de dezembro de 2010

Alfred Hitchcock- Vertigo (1958)



Madeleine: Here I was born, and there I died. It was only a moment for you; you took no notice.

sexta-feira, 17 de dezembro de 2010

Once in a Lifetime - Talking Heads


You may ask yourself
What is that beautiful house?
You may ask yourself
Where does that highway lead to?
You may ask yourself
Am I right?... Am I wrong?
You may say to yourself
My God!... what have I done?

quarta-feira, 15 de dezembro de 2010

Martin Scorsese - Taxi Driver (1976)



Travis Bickle: I think someone should just take this city and just... just flush it down the fuckin' toilet.

domingo, 12 de dezembro de 2010

terça-feira, 30 de novembro de 2010

Preston Sturges - Unfaithfully Yours (1948)



Alfred: Have you ever heard of Russian Roulette? 
Daphne De Carter: Why, certainly. I used to play it all the time with my father. 
Alfred: I doubt that you played Russian Roulette all the time with your father! 
Daphne De Carter: Oh, I most certainly did. You play it with two decks of cards, and... 
Alfred: That's Russian Bank. Russian Roulette's a very different amusement which I can only wish your father had played continuously before he had you!

quinta-feira, 25 de novembro de 2010

Play With Fire - Rolling Stones


Now you've got some diamonds and you will have some others
But you'd better watch your step, girl
Or start living with your mother
So don't play with me, 'cause you're playing with fire
So don't play with me, 'cause you're playing with fire

quarta-feira, 24 de novembro de 2010

Quentin Tarantino - Pulp Fiction (1994)


Mia: Don't you hate that?
Vincent: What?
Mia: Uncomfortable silences. Why do we feel it's necessary to yak about bullshit in order to be comfortable?
Vincent: I don't know. That's a good question.
Mia: That's when you know you've found somebody special. When you can just shut the fuck up for a minute and comfortably enjoy the silence.

sábado, 20 de novembro de 2010

Ceremony - New Order


Oh I'll break them down, no mercy shown
Heaven knows It's got to be this time
Avenues all lined with trees
Picture me and then you start watching
Watching forever, forever
Watching love grow, forever
Letting me know, forever.

terça-feira, 16 de novembro de 2010

Blake Edwards - Breakfast at Tiffany's (1961)


Paul Varjak: Holly, I'm in love with you.
Holly Golightly: So what?
Paul Varjak: So what? So plenty! I love you. You belong to me.
Holly Golightly: No. People don't belong to people.
Paul Varjak: Of course they do.
Holly Golightly: I'm not going to let anyone put me in a cage.
Paul Varjak: I don't want to put you in a cage. I want to love you.
Holly Golightly: It's the same thing.
Paul Varjak: No it's not. Holly...
Holly Golightly: I'm not Holly. I'm not Lula Mae, either. I don't know who I am! I'm like cat here, a couple of no-name slobs. We belong to nobody and nobody belongs to us. We don't even belong to each other.

segunda-feira, 15 de novembro de 2010

1984


(...)Lá fora, mesmo através da vidraça fechada, o mundo parecia frio. Na rua, pequenos redemoinhos de vento levantavam em pequenas espirais poeira e papéis rasgados, e, embora o sol brilhasse e o céu fosse de um azul berrante,parecia não haver cor em coisa alguma, excepto nos cartazes colocados em toda parte. O bigodaças olhava de cada canto. Havia um cartaz na casa em frente, O GRANDE IRMÃO VELA POR TI, dizia o letreiro, e os olhos escuros perscrutavam os de Winston.(...)

1984 de George Orwell

sábado, 13 de novembro de 2010

O Fantasma de Canterville


(...)
   Às onze horas, todos recolheram aos seus aposentos respectivos e daí a meia hora as luzes estavam apagadas por completo. Passou-se algum tempo, e o Sr. Otis foi acordado por um ruído estranho no corredor; dir-se-ia o barulho de objectos metálicos que parecia que se aproximava cada vez mais. Levantou-se logo, riscou um fósforo e consultou o relógio. Era precisamente uma hora da madrugada. Otis sentia-se bastante tranquilo: tomou o pulso e verificou que não estava febril. O tal ruído esquisito, no entanto, continuava; ao mesmo tempo ouvia-se um rumor de passos. O americano enfiou as chinelas, tirou de um estojo um frasco de forma oblonga e abriu a porta. Mesmo diante dele, na claridade desmaiada do luar, estava um velho de aspecto aterrador; os olhos do desconhecido ardiam como carvões, o cabelo comprido e grisalho caía-lhe sobre os ombros, o fato, no estilo de outros tempos, mostrava-se sujo e dilacerado; dos punhos e dos tornozelos suspendiam-se pesadas grilhetas e correntes.
   - Meu caro senhor - começou o diplomata -, desculpe aconselhá-lo a pôr  um pouco de óleo nessas correntes; para isso, aqui tem uma garrafinha do célebre Lubrificador Sol. É considerado muito eficaz em todas as suas aplicações, como pode ler no respectivo rótulo. Deixo-lho em cima desta mesa; se precisar mais é só pedir. - Dizendo estas palavras, o respeitável americano colocou o frasco no mármore da mesa e, fechando a porta do quarto, dirigiu-se de novo para a cama.
   Por instantes, o fantasma de Canterville ficou tão indignado que não fez um único movimento.
(...)

O Fantasma de Canterville de Oscar Wilde